Property 9 — Contrast

Contrast is introduced in The Nature of Order, Book 1[NoO1-01] on page 200.

Centres can only really exist if they are differentiable. Wholesome objects are identifiable. An element is weakened without some boundary defining where it starts or ends.

If an element is not distinct from its neighbour, it will be seen as part of a larger whole, including that neighbour, weakening both and impacting the good shape. An element reduced this way recedes into a supporting role, becoming coupled and subordinate.

If this reduction is not wanted, if the cost of this diminution is too great, we have a force to resolve[NoO1-01]. If a boundary does not make sense, another option is available in the property of contrast. Contrast is a form of visible differentiation and enhances identity.

Contrast does not have to be colour but can also be texture, size, pattern, or anything we can sense. Borders must contrast with both the centre they bound and the surrounding space. I have a beautiful black bowl with a small detailed section at the rim. The detail contrasts with the plain matt body. The interior of the bowl has a glossy finish, contrasting to the matt exterior. Two different contrasts in the same object.

In The Nature of Order, Book 1[NoO1-01], on page 200, the prose lists some contrasts, including:

  • light–dark
  • empty–full
  • solid–void
  • busy–silent
  • red–green and blue–yellow
  • high–low
  • soft–hard
  • rough–smooth
  • active–passive

Opposites are anything juxtaposing, such as thin wires or rods against a thick trunk of a structure, a matt surface against a mirror-like polish, and angular design against gentle curves. The specific aspect that is in opposition isn’t critical, but it’s imperative that the contrast differentiates the elements, helping to strengthen them using qualities taken to their extremes.

But not all contrasts are helpful. When a larger body sets a style or motif, incorporated elements must work hard to fit in when they break from the theme. Other times, the contrast is contrived; it becomes the central element, diminishing the truer centres[NoO1-01]. Consider how nothing stands out in films these days, as so many have an orange and teal colour grading. If everything is in contrast, nothing is.

So, although contrasts are a valuable tool in creating identity, you should not seek them out. Find ways to ensure they exist where needed, but not in their own right or without reason.